Manolo Valdés: La Rêverie

Opera Gallery takes hold of the parks of the Hôtel du Cap Eden Roc and of the Château Saint Martin & Spa and presents La Rêverie, an open-air exhibition with works by Spanish artist Manolo Valdés. Thus, thirteen monumental sculptures punctuate the sumptuous exterior settings of these two exceptional hotels. Recognized as one of the major artists of the contemporary art scene, Manolo Valdés has been revisiting the classics of Art History for nearly 60 years, inscribing his work in the lineage of the great masters who preceded him. His work pays tribute to classics and masterpieces of great signatures, such as Vélasquez, El Greco, Pablo Picasso, Henri Matisse, Constantin Brancusi… because, according to him, “the Art of each era always brings together elements from the past, Art is an infinite succession and addition”.

His undying passion for modern masters has made Manolo Valdés an artist whose contemporary work is a bridge between the past and the present. From his emblematic “Meninas”, which are a three-dimensional adaptation of Velasquez's famous 1656 painting, here declined in resin of several colors, bronze and aluminum to his female heads topped with extravagant headgear made of butterflies or foliage; his works echo the scintillating Mediterranean Sea, the historic buildings of the Château Saint Martin and Cap Eden Roc hotels and the lush vegetation of their parks. The contemplative state offered by his sculptures is not only brought on by the image but also by the transformation it induces to the landscape, like an ode to nature. The ensemble definitely encourages daydreaming, or Rêverie.

Manolo Valdés

Cabeza de Mariposas (Green)
2018
Bronze
447 x 459.7 x 259.1 cm

Walking through Central Park a few years ago, Manolo Valdés saw a woman sunbathing, with monarch butterflies swirling around her head. That image kindled something in the artist.
“All of a sudden, they were everywhere ” Valdés said of the butterflies in an interview with The New York Times. “That’s how ideas start. You never know when one is going to pop in.”
Manolo Valdés comments on the juxtaposition between the static faces of his sculptures and their dynamic headdresses, stating, “I must admit that I adore the pronounced tension that is established between the two parts; it’s as if they were two entirely different sculptures. The challenge is having them function as a harmonious whole, as well as allowing their initial different formulation to be seen not as something separate but as something enriching.”

Manolo Valdés

Ariela
2011
Aluminium
305.1 x 294.6 x 150 cm

Manolo Valdés

Triple Butterfly
2019
Aluminium
309.9 x 337.8 x 203.2 cm

Manolo Valdés “Head series” is made from a variety of materials, which are carved and chiselled to show a reduction of female facial features. The head is used as a blank canvas to apply meaning through important headdresses. These can be in organic or architectural form, in each instance creating a head with its own unique personality.
Manolo Valdés captures Infanta Margarita by Velázquez, details them, diverts them, and multiplies them.

Manolo Valdés

Infanta Margarita Blue, Red
2020
Resin
210 x 165 x 120 cm

Manolo Valdés

Infanta Margarita Black, White
2020
Resin
210 x 165 x 120 cm

He explains: “What amuses me the most is to repeat the same image while transforming it. A single creation is not enough to tell everything. As with photography, several shots are needed to tell a story”.
Valdés creates his own aesthetic narrative, fostering a perception that combines abstract and figurative elements, with delicate boldness and raw finesse.He invites the viewer to contemplate and entwine with his own experience or knowledge, ready and eager to be reborn from a new encounter. The artist creates a unique universe combing smooth curves and angular wires.

Manolo Valdés

Regina II Azul
2005
Painted bronze and corten steel
376 x 295 x 285 cm

Manolo Valdés

Reina Mariana
2019
Aluminium
279.4 x 215.9 x 167.6 cm

Valdés has continually turned to the paintings of Diego Velázquez as a source and site of investigation. Since the early 1980’s, he has repeatedly reworked Velázquez's portrait of Queen Mariana (ca. 1652), producing both pictorial and sculptural versions in different materials and scales.

Manolo Valdés

Mariposas
2015
Painted steel and steel wires
540 x 1110 x 660 cm

The beguiling headdress imbues this sculpture with a sense of movement and weightlessness, its solid forms dissipating into the surrounding space. At once monumental and accessible, patent yet enigmatic.
Mariposas (Butterflies), made in shimmering painted steel, is characterised by a unique approach to volume and materiality that has become the defining quality of Manolo Valdés' large-scale sculptures and accounts entirely for their powerful, mesmerising presence.

Manolo Valdés

Dama a Caballo
2008
Bronze
250 x 240 x 90 cm

“We build upon that which art history has placed in our hands”
-Manolo Valdés Dama a Caballo was inspired by José Campeche y Jordan’s historical painting made in 1785, a portrait of a young aristocratic woman riding sidesaddle. This artwork is considered one of the founding pieces of Latin American Arti during the Baroque period.

Manolo Valdés

Reina Mariana
2017
Bronze
189 x 120 x 135 cm

Manolo Valdés

Reina Mariana
2020
Aluminium
172 x 127 x 77 cm