Artwork in Focus

Roy Lichtenstein, Apple, Grapes, Grapefruit, 1974

06 January 2026

By the time Apple, Grapes, Grapefruit was painted in 1974, Roy Lichtenstein was already a central figure in the American Pop Art movement. Globally renowned for his bold, graphic style inspired by comic strips, advertisements and mass media, Lichtenstein redefined the boundaries of fine art with a visual language that mirrored the rise of consumer culture in post-war America. However, between the 1970s and early 1980s, he turned his attention away from the comic book aesthetic that made him famous and began exploring a more nuanced direction through a series of still-life paintings. Apple, Grapes, Grapefruit belongs to this body of work, representing an inventive transformation of the genre with a quieter yet equally calculated approach. The painting presents a stylised arrangement of fruit rendered in a bold colour palette, precise geometric forms and a finely calibrated composition—a modern reinterpretation of a traditional genre in art history, filtered through the lens of Pop Art.

 

With Lichtenstein’s iconic use of primary colours, the apple is impossibly red, the grapes are comically round and plump, and the grapefruit a near-perfect circle. Yet, the apparent vibrancy is an illusion. While Lichtenstein often references modernist masters like Cézanne and Matisse, artists who brought emotional depth and formal innovation to their still-life creations, his approach belongs firmly to the age of mass production and mechanisation. Where they sought aesthetic truth through painterly exploration, Lichtenstein offers a Pop version—deliberately hollow, mass-produced and still visually seductive. The brushstroke is replaced by the screenprint, and artistic spontaneity by mechanical exactness. In this light, Apple, Grapes, Grapefruit becomes more than a still-life; it reflects consumer culture, the blurred line between originality and imitation, and how modern life replaces the real with the reproducible. Are we looking at fruit, or the idea of fruit as sold to us through media?