Wednesday April 9 2014
Mauro Corda & Gérard Alary
Opera Gallery is proud to present a joint exhibition of contemporary virtuoso sculptor Mauro CORDA & dark expressionist painter Gérard ALARY in London for the first time.
Born in France in 1960, Mauro Corda comes from a family of stonecutters with Italian origins. From an early age, he expressed interest in sculpture and he entered Reims’ École des Beaux-Arts aged 15, before pursuing his education at the prestigious École des Beaux-Arts in Paris. Later, Corda was sent to the Villa Velázquez in Madrid; a rewarding experience that led him to exhibit in Paris and gain international recognition through exhibitions in Hong Kong, Chicago, Venice and Bologna. Mauro Corda renders homage to the greatest sculptors of history with his technique - a technique to which he instils movement and modernity by questioning his life-size pieces about identity and the limits of the human body. His ease with matter allows him to use various materials, such as bronze, aluminium, iron, marble and stainless steel. Corda’s sculptures push boundaries and overthrow our certainties as they question the fragility of existence. Claiming that a piece that has no soul will have no shape, Corda’s sculpture is a poetical expression creating an invisible world and giving shape to mystery. A true virtuoso, Corda inspires great humanity within his sculptures in order to convey his emotions and fears through the cold material.
Gérard Alary is a painter born in 1945 in Avignon, France. A graduate from the École des Beaux- Arts in Paris, his first solo exhibition took place in Dijon and was a great success. In 1995, he put his career on hold to become a professor at Dijon’s École des Beaux-Arts and it is not until 2005 that he returned to painting for an exhibition at the Centre d’Art Contemporain of La Seyne-sur-Mer. Several exhibitions followed, always in strongly spiritual and symbolical sites, such as the Vieille Charité Museum in Marseilles in 2007. The noteworthy exhibitions approach personal themes thanks to which Alary renews contact with the joys of painting, depicting the human body and the individual in powerful expressionism that oscillates between “figuration and nonrepresentation” as per the artist’s own words. Dark and thick matter emerges from Alary’s Vanitas, in which he depicts the bone rather than the flesh and death rather than life, highlighting the violence of the artist’s fears and distress. In the chaos telling us of the end of our human condition and the erasure of our lives since birth, we face a brutality that would drag one down to hell inside
the deepest of the artist’s turmoil. Gérard Alary’s works are presented in multiple museums, art centres and public collections in France and abroad.
Tuesday March 18 2014
An exhibition of monumental photography
Opera Gallery London is proud to present Gérard RANCINAN’s monumental art photography in London.
The exhibition XXL consists of five monumental photographs, from the Trilogy of the Moderns series. All photographs are unique pieces, numbered 1/1.
The photographs presented are all fine art argentic prints on great scale: from 2.80 meters up to 4.70 meters! The very specific printing process is possible only in a single photo-lab located in Düsseldorf, Germany. The scale and format, unique in the world, make these photographs treasured artworks for the collector.
For XXL, Rancinan chose to exhibition five of these breath-taking monumental photographs together for the first time ever: at Opera Gallery London, in the heart of London’s arty neighbourhood Mayfair. This exhibition is therefore a rare opportunity for the photography collector and lover.
These photographs have travelled the world. Indeed, before being brought together at Opera Gallery London, they were exhibition in museums all over the globe: the Palais de Tokyo in Paris, France; the Triennale Museum in Milan, Italy; the Danubiana Contemporary Art Museum in Bratislava, Slovakia; the Musée des Arts et Métiers in Paris, France; etc. After London, their next destination will be the Himalayas Museum of Contemporary Art in Shanghai, China and the Oscar Niemeyer Museum in Curitiba, Brazil.
From "The Raft of illusions" to "The Feast of The Barbarians", each photograph is a masterpiece reflecting our times: acclaimed photographer Gérard Rancinan is an observer of his contemporaries, bearing first-hand witness to events in our society.
Born in the Bordeaux region, Gérard Rancinan travels the globe, bearing first hand witness to events of historical importance. Natural catastrophes, civil and ethnic wars, and urban riots… he comes face to face with the complexity of the human condition and the random events by which it is fashioned. His imperious need for self-expression leads him to focus on the world’s most important issues, he delivers startling images filtered through an ever-evolving aesthetic prism.
Constantly breaking down barriers, he is, by turn, an investigator deconstructing the great sagas of contemporary life, and a portraitist. His photographs of athletes, artists, ecclesiastics and politicians have become iconic. His images have earned him a number of prizes, including four prestigious World Press Awards.
Following his domain of predilection, in the “Trilogy of the Moderns” he becomes the wakeful observer of his contemporaries. This marginal perspective involves real mises en scène, veritable simulacra of the world in which we live.
Internationally renowned, Gérard Rancinan’s work is exhibited in the world’s most prestigious galleries and museums and features in the most important contemporary art collections. During a recent Etude Million auction at Drouot (2008), Gérard Rancinan became one of the highest ranked photographers in France. In 2012, one his photographs was hammered for a total price eight times above the estimation at a Philips de Pury & Company Photographs auction; breaking the world auction record for a living French photographer.
Gérard Rancinan is an Officer of the Order of Arts and Letters.
Friday November 22 2013
On the occasion of this exhibition, Opera Gallery has carefully curated a selection of just under thirty dream-like paintings by André Brasilier, including his most notable themes and illustrating his love for nature, music, the human and life in general.
André Brasilier, whose parents were also painters, was born in 1929 in Saumur, France. From an early age, he showed natural inclination for painting and he entered the Ecole des Beaux-Arts at the age of 20.
In 1953, aged only 23, Brasilier won the Premier Grand Prix de Rome of painting. He had his first retrospective of 100 artworks from 1950-1980 at the Château de Chenonceau in 1980 and a retrospective exhibition at the Musée Picasso-Château Grimaldi in Antibes (French Riviera) in 1988.
Over the years he held numerous exhibitions all over the world: France, Germany, Japan, Switzerland, Canada, United States, Russia, The Netherlands, Korea, Hong Kong… Notably, he was honoured by a retrospective exhibition of his work at the State Hermitage Museum in Saint Petersburg, Russia in 2005 and at the Museum Haus Ludwig für Kunstausstellungen Saarlouis in Germany in 2007.
Brasilier’s works often feature themes and motifs of horses, nature, music and women. Set against the most simplistic and romantic backgrounds, he transports us easily into surreal landscapes, which lighten the soul with dreamy infusions of figures set in simplicity of colours, shape and form. In an intimate communion with nature, he draws his inspiration from its language, sounds and colours, thus revealing the natural beauty of our surroundings.
Although Brasilier bases his painting on reality, he is not a realistic painter, as once explained by Bernard de Montgolfier, Honorary Chief Curator, The Ville de Paris Heritage: "One could say that Brasilier has a very personal way of being non-figurative within figuration". Indeed, he strives to make the invisible visible again, opening the viewers’ eyes upon the non-obvious, in a relentless quest for intimate and cohesive humanism.
Horses are very important subjects of Brasilier’s body of work. “I really like this animal, as much for its beauty, as for the harmony that it has with nature. In nature, the horse gives a sense of scale. It provides interesting proportions with the sea and the sky, for example. I love life, and horses, with their forms and their ardour, delight and intrigue me.”, he says.
Similarly, music seems to be a central theme of his paintings: “I love, above all, life, and in all of its forms. Music is one of these forms that I especially appreciate. My first exhibition in 1959 was entitled “Autour de la musique” (“About Music”). Since then, I’ve always liked to work with this theme. All is beautiful in music, the discipline of the orchestra, the harmony of a quartet…”
Finally, the human form is very present in Brasilier’s work, often under the shape of women. About this subject, he says: “For me, we measure the importance of a painter by his or her abilities at portraying this human form. Look at what point the human “figure” has allowed painters like Picasso, de Staël, or Bacon to go beyond their contemporaries.”
Friday October 18 2013
Ways of Seeing at Opera Gallery London
Over the past decade captivating artist Joe Black has enjoyed a steady rise to fame on the London art scene and is consistently praised for his thought-provoking yet meticulous portraits that take centre stage at Opera Gallery London. From October 18th Joe Black unveils his debut solo exhibition ‘Ways of Seeing’ at the Opera Gallery London to coincide with the Frieze Art Fair.
With admirers including Bono, Noel Gallagher, Liam Howlett, Russell Brand, Noel Fielding, Joséphine de La Baume and Jimmy Carr, Black’s latest exhibition explores the way we see pictures by making art work that is both seen as a whole and as a collection of small united parts. His ambition is for the audience to experience the striking scale and the intricate detail at once. The exhibition ‘Ways of Seeing’ emphasises the strong importance of seeing Joe Black’s work close-up and far away.
“'Up close' and 'far way'” - Joe Black
Joe’s choice of imagery is carefully selected from popular culture so it can be easily recognised. An example of this is “Workers of the World, Unite!” a portrait of Mao Zedong, made from 9,000 hand-painted toy soldiers. However, in Joe Black’s portrayal of the icon, the merging of old and new techniques present the subject in a new context.
Joe Black does this by selecting small common objects, such as; test tubes, toy soldiers and badges to pay tribute to the subject. Looking closer, the object emerges and gives great expression and personality to the subject. This is perfectly executed in “Star”, using handpainted chess pieces to signify the Soviet dictator, Joseph Stalin, as a player who out manoeuvred his political opponents to become a super power. Through his time-intensive technique Joe Black has created an alternative form of pixelation, assembled entirely by hand.
"Joe Black is an artist that all members of the public can enjoy. Not a single person who sees one of his works can remain indifferent to his intricate meticulous technique and to the perfection that lies within each of his artworks! "- Jean-David Malat, Director and curator of Opera Gallery London
The objects incorporated in each portrait signify hidden meanings within the work and although Joe Black has his own ideologies, whether personal, political or social, his work is often tongue in cheek and playful but left open to interpretation of his audience.
About The Artist
Born in 1973, Joe Black studied as a sculptor before moving on to illustration, working for many years as a successful commercial artist, before becoming a full time fine artist. Joe Black now focuses solely on his personal body of art.
Ways of Seeing at Opera Gallery London from October 18th to November 19th, 2013
Friday June 21 2013
The many faces of David Bowie
Parallel to the major exhibition "David Bowie is" at the Victoria and Albert Museum in London, Opera Gallery London will unveil a collection of David Bowie-inspired art for their summer exhibition. The highly anticipated group show will offer a contemporary vision of ‘Bowie Mania’ with one-off masterpieces including tributes from some of today’s leading contemporary and street artists, including; Mr. Brainwash, Joe Black, Eduardo Guelfenbein, Nick Gentry, Marco Lodola and The London Police.
The Many Faces of Bowie will pay homage to the iconic rock star with artwork featuring a delicious juxtaposition of styles showcasing each artist’s unique interpretation of David Bowie’s unprecedented influence and inspiration on their lives.
Bowie’s alter ego Ziggy Stardust, will be immortalised in ‘Bowie Triptych’ by celebrity and ‘rebel of the street art world’ Mr. Brainwash, known for depicting faces of Jay-Z and Kate Moss in his signature spray paint works.
Similarly installation artist Marco Lodola will pay his respect to Bowie using Ziggy Stardust as an inspiration for his mixed media and light box sculpture titled ‘Aladdin’.
"David Bowie is an incredible ‘icon’; a term to be understood as an idol but also in the ancient Greek notion of eikōn meaning "image" or even religious work of art. It is clear to see that he has influenced many lives, and every artist involved was proud to create a piece in his honour” says Jean-David Malat, Director Opera Gallery London.
Additional highlights include Eduardo Guelfenbein’s large and striking abstract acrylic on canvas, honouring Bowie with mesmerising brush strokes exposing the hidden face of the icon when admired from afar.
And London’s very own Joe Black created an outstanding portrait of the singer made out of over 9,000 painted test tubes. A 3-dimensional artwork that will excite and surprise the viewers’ eyes.
The exhibition will showcase a variety of mediums ranging from painting and sculptures to multimedia art works all dedicated to British rock icon David Bowie.
Full List of Artists Participating Include: Lita Cabellut, David Mach, Joe Black, C215, The London Police, Mac1, Jimmy C, Kid Zoom, Mr. Brainwash, Kan (Da Mental Vaporz), Juan Barletta, Hisham Echafaki, Jef Aerosol, DFace, Marco Lodola, André Monet, Nick Gentry, Zoobs, Eduardo Guelfenbein, Paul Alexis, Jean-Paul Donadini, Richard Young.
Friday April 26 2013
Peace from the bottom of my art
An exhibition featuring the finest Iranian artists
April 26th to May 9th 2013
From the 26th April, Opera Gallery London presents the group exhibition of Iranian art ‘Peace from the Bottom of My Art’ that brings together a prominent selection of contemporary and internationally renowned Middle Eastern artists including; Parviz Tanavoli, Koorosh Shishegaran, Nasrollah Afjei and Ahmad Morshedloo.
This extraordinary show offers an insight into each of the artist’s interpretation of Peace, with selected works of art from a variety of established artists as well as upcoming artists such as Mojtaba Ramzi, Negar Varasteh and Shima Esfandyari.
The showcase will include highlights from Farsad Labbauf whose work is in the prestige collections of Saatchi Gallery and the Walt Disney Company Foundation to iconic Iranian abstract artist, Koorosh Shishegaran, known for his ‘life like’ three-dimensional work and for being one of the most expressive yet emotive artists of the contemporary Iranian art movement. Shishegaran will be displaying some new paintings, which will be revealed at the private view.
Internationally renowned sculptor Parviz Tanavoli whose works have been displayed at museums and venues across globe including The British Museum, New York Metropolitan Museum and Seoul Olympic Park, will honour the showcase by creating a limited edition print for the private view which will be signed and sold exclusively at Opera Gallery London.
The exhibition will showcase a variety of mediums ranging from photography, sculpture, paint and installations all encompassing a common theme with Peace at the heart of them.
Wednesday February 13 2013
An exhibition featuring the finest artists of the contemporary art movement
Starting from the 13th February 2013, Opera Gallery London presents Contemporary Emotions; an exceptional exhibition featuring the finest artists of the contemporary art scene, including; Andy Warhol, Marc
Quinn, Arman, Yayoi Kusama; and Fernando Botero. The remarkable show provides a carefully selected display of intriguing and powerful artwork from artists that have engaged our society, politics and
culture within their work; and evoked intense emotion in all of those who view their masterpieces.
For a limited time Opera Gallery London is offering an exclusive peek at some of the extraordinary work by some of the finest Contemporary artists in the market. With highlights including London’s own Anish Kapoor; an artist having created landmarks all over the world and most recently The Orbit Tower to iconic Mel Ramos who was one of the pioneers of the Pop-Art movement.
From works by the innovative Pierre Soulages, ‘the painter of black’, to Neo-Pop and Graffiti artist Keith Haring who’s artwork originally adorned subway billboards in New York, Contemporary Emotions will showcase an incredible array of work from across the genres.
The exhibition will showcase a variety of mediums ranging from photography, to sculpture, to installations and painting.
Friday November 9 2012
Opera Gallery London and ANV in association with Butterfly present
An urban and street art installation paying tribute to the Masters of the history of art
Opera Gallery London and ANV in association with Butterfly are pleased to present URBAN MASTERS - an alternative art installation giving street and urban artists a chance to render homage to the masters, masterpieces and muses that have influenced their journey through the world of art and played a part in who they are nowadays.
URBAN MASTERS is an intense urban display in a former Victorian factory in London’s trendy yet subversive Shoreditch area. It will present the works of 33 of the world’s best street artists of the moment: Rone (AUS), Risk (US), Shepard Fairey (US), ROA (BE), Mentalgassi (DE), Sweet Toof (UK), Lek (FR), Gris1 (FR), Kan (FR) to name a few....
Opera Gallery is renowned for proposing very high standard exhibitions of street and urban art. This will be the biggest urban and street art exhibition yet hosted by Opera Gallery in London, and most certainly one of the most important events on the London street art scene this year.
With a broad scope of contemporary urban and street artworks and installations, URBAN MASTERS attempts to capture the feelings and experience of the artists who were invited to give their personal interpretation on the marks left by art history-makers.
The exhibition will also offer attendees a unique opportunity to meet some of the artists involved as there will be a poster / book signing featuring many of the aforementioned artists on the day of the public opening of the show: Friday 9th November 2012, 11am-7pm.
“Art is about passing on references and creativeness. Most people know that Banksy and Blek Le Rat, founding fathers of stencil art, have inspired a generation of young contemporary urban and street artists - making street art one of the most successful genres of the century. But it is time we give this new generation a say and let them tell us their story, tell us who inspired them personally and what made them the artists they are now”. Jean-David Malat, Director of Opera Gallery London, on the concept behind URBAN MASTERS.
“Urban Masters is a rare opportunity to view in one place works by extraordinary artists from literally all over the world, from Latin America, US, Europe and Australia. Coming from the graffiti and street art scene, these artists pay tribute and reinterpret the Masters that inspired them, with their own skills and techniques. Art regenerates itself with breathtaking results”. Butterfly.
“Street art matters. By taking their art to the most public of all spaces - the streets - artists build bridges between them and their community and therefore help cement an art-aware society. Moreover, they bring new perspectives upon the urban architecture and landscape and thus help reinvent a city to house this art conscious society”. Florie-Anne Mondoloni, Opera Gallery London.
"By definition anything visionary, ground breaking or novel involves risk. Facing and handling these risks opens the door to achieving true creative innovation and personal fulfilment in art or in business," explains R. Matthew Fairfield, Founder and Chief Executive Officer of ANV, "As underwriters who mitigate risks on a daily basis, we see art and artists who take creative risk as perfect examples of what is possible when risk and fear can be conquered"
"Art provides a window into how a culture perceives itself and the soul of its people. ANV as an organisation is deeply respectful of local business cultures and customs. Supporting new views and unique perspectives is how we see our work as insurers and its how we see the work of the 'Urban Masters' featured in the exhibition." adds Gerard van Loon, Chief Underwriting Officer at ANV.
Friday October 12 2012
Portrait of Human Knowledge by Lita Cabellut
Rising from the impoverished Spanish streets to evolve into one of the most celebrated and critically acclaimed artists of our time; her style is said to represent the ‘Souls of Humanity’.
The incredible Lita Cabellut returns to Opera Gallery London as you have never seen her before, presenting:
“A portrait of human knowledge” 11 October - 31 October
Lita Cabellut hit London last year with a debut show which captured and blew away all who stumbled across her canvasses on the walls of Opera Gallery London. The subject: Frida Kahlo; one of the most
darkly influential icons of the 20th century; a figurehead for Mexican culture and for the feminist
movement. Cabellut offered up a series of mindblowing paintings which truly captured the human
emotion of the muse, haunting, powerful and raw, acting as a window into the essence of the artist.
Now Lita returns to London with her latest and no-less dramatic exhibition: “A portrait of human knowledge”. This collection of works, debuting in the Capital, utilises her signature style; reflecting human emotion through the strokes on the canvas. Cabellut dramatically depicts some of the most influential icons of ‘knowledge’ from the past 150 years. Ranging from Stravinsky, Nureyev, Marie Curie, Billy Holiday, Garcia Lorca, Rudolf Steiner to Sigmund Freud. Lita’s ever-communicative and recognizable styleknown as the ‘Cabellut palette’- a contemporary variation of the fresco technique- ensures that these portraits will once again represent the beholder with ‘A voyage through the eyes of the figure’ Robert C.Morgan.
Born into a poor Gypsy environment, Spanish artist Lita Cabellut began her life on the streets of Barcelona. After 13 years enduring a grinding existence Lita was adopted. This new chapter opened the young Lita to her love affair with the arts where she discovered the Prado museum aged 13 and became self-confessedly ‘amorous’ with Goya, Velazquez, Ribera and Rembrandt, famously quoted saying:
“I married very young, my first marriage was with the art”.
“When I finish a painting and I sit down alone to re-examine and rediscover what has come out of my soul, I always read in the canvas, through the eyes, the mouth, the gestures, the colors, the lines fighting or kissing, a poem." Lita Cabellut
About the artist…
After four years of classical training, Lita opened her first exhibition in the Town Hall of Masnou, Barcelona at the tender age of seventeen. At just 19 Lita left her native Spain to study at the Rietveld Academy in Amsterdam, Netherlands which is where she remains today to live and work. Cabellut is renowned for her unique portraits, depicting human emotion through the canvas; translating feeling into a phenomenal portrayal of the subject.
Her unique technique imprints real emotion within her painting’s which gives a depth to her characters. So much so that critics have stated that: “When we look at the paintings of Lita Cabellut, we experience ourselves”
Friday May 25 2012
Who is KOOROSH SHISHEGARAN?
Portrait of an Iranian abstract painter…
KOOROSH SHISHEGARAN was born in Qazvin in 1944, but then moved to Tehran with his family. He finished elementary school in Tehran and then was admitted to the School of Fine Arts and continued his academic studies at the Faculty of Decorative Arts - Art University - receiving a BFA in Interior Design. His experiment in art is not confined to the style he uses in creating paintings today. What follows is a cursory look at Koorosh Shishegaran’s artistic career.
Shishegaran’s ability to humanize abstraction and bring three dimensions into his canvases and through the brush strokes and colours, make him one of the most expressive and emotive artists of the contemporary Iranian art movement.
In the primal dialectic of being and nothingness, solid and void, mind and body, the movement and
momentum of his eternal spirals flow along the vortices of invisible objects as they whirl free in liquid space.
Light and shadow pour through the slipstream ravelling and unravelling into snatched flashes of threedimensional form. A perpetual tension, a taut dualism, an alchemical turn of reality’s wheel that crystallizes again and again into a mesmerizing, shape shifting whole.
The different stages of his artistic life…
At this stage he displayed more and more of his artworks to make people get aquatinted with his works.
REPERFORMANCE OF THE ARTWORKS OF GREAT ARTISTS
He reproduced the works of great artists in his own style and technique.
He believes that whatever exists in the world is a form of art. So, he makes a poster ofone of the streets in Tehran and makespeople think that this street is a piece of art.
He used the post as an instrument to communicate with people. He used tosend his artworks to people, institutions and other art.
He created political and social posters without assuming the recommenders for conveying a message to people. Most of these posters were put on the walls, tists by post.
ART FOR REPRODUCTION
At this stage he used his designs and works for producing applied things like: lamp, bookcase, table, chair, wardrobe and ...
KOOROSH SHISHEGARAN said…
“We live in complex times: of breathlessness and excitement, of ties and confusions, of contradictions and mysteries, of disturbances and breakneck speed; of colour, exploding wonders and novelties; in short, a complicated world for today’s man. I have been trying to find a style or language expressive of the modern era. One that can be seen as pure painting yet rooted in my own country’s art and culture.”
“There are many untold mysteries within a portrait. Once told, they project a different world far more interesting than the one apparent to us. The artist who can detach himself from the appearance will find a unique way of projecting his apprehensions.”
“I am a painter and communicate with line, point, colour, and image.”